98.





millions now living will never die
tortoise [thrill jockey, 1996]

hey! this collective of like-minded musical progressives doesn't reflect its namesake at all! a tortoise is a lumbering, lurching creature with limited brainpower and an impenetrable shell; this band is like this , demolishing paddocks and peasants with ballistic bass and death-rattling drums. "post-rock" is a stultifying, castrating term, conjuring up images of innocuous lounge or light, breezy free jazz. like the majority of once hip, once "of the moment" indie trends, the scene had become an awkwardly-executed punchline to a poorly-remembered joke. however, tortoise and their brethren should be exalted for having the audacity to ditch post-nirvana, post-grunge angst and simplicity and embrace tossed aside, out of left field genres like, yes, lounge and free jazz, but also dub, krautrock and post-punk. Millions Now Living Will Never Die delivers on the scene's promises of transcendence. the centerpiece, the highlight, the "opus," the meisterwerk is opener "djed:" twenty minutes of shifting basslines, plunking, finicky vibra/xylophones and electronic glitches. it's an assembly line conveyor belt at a futuristic factory where automated robots tinker and toy with blasts of noise and melody. "glass museum" and "the taut and the tame" coax free jazz into the pasture and then decapitate it with anachronistic instrumentation and pulsating rhythm. "a survey" is all slippery, rubbery bass harmonics while "dear grandma and grandpa" is a millennia old radio transmission beamed in from Alpha Centauri. in terms of influence, "along the banks of rivers" is exactly the type of dreary, dystopian death march music through charred, post-apocalyptic landscape on which Godspeed You Black Emperor! based a career. lambaste its pretensions all you want, it's rare to find an indie rock record this brutally daring.

turn this shit up! moment: this is an album from the mid-90s, after sound engineers figured out how to master a CD properly and before the loudness war made everything sound clipped and headache-inducing. turning up the volume makes not only makes the instruments sound more vibrant and alive, it also exposes previously unheard details in the mix. this isn't meant to be background music, PUMP UP THE VOLUME.